As the painting developed, it certainly did transform. The most notable transformation being in the colour. I found the painting became more vibrant, as my interest in the Impressionists, such as Matisse and Cezanne and van Gogh progressed. Using a paint ‘daub’ technique, as with pointillism, the variety in lighting improved as I added more colour to an area and let more of the background colours show through. This has been an important an investigation as the light and colour. I have still stayed true to my idea and the importance of the shadows, the final piece just became a little more abstracted than expected
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